Study of colour

 Study of colour

  Colour Terminology  

A knowledge of color terms helps us to appreciate the different ways that color may be used in art and design.  

THE SPECTRUM

The spectrum is the colours of the rainbow arranged in their natural order:
Red - Orange - Yellow - Green - Blue - Indigo - Violet
The mnemonic for this is ROY G BIV

HUES

The Color Wheel

A hue is one of the colors of the spectrum.
Hues have a circular order as illustrated in the color wheel above.







PRIMARY COLORS


Red, Yellow and Blue are the primary colors.
These are the three basic colors that are used to mix all hues.  

SECONDARY COLORS

Orange , Green and Purple are the secondary colors.
They are achieved by mixing two primary colors together.

TERTIARY COLORS


Tertiary colors are more subtle colors that are achieved
by mixing a primary and a secondary color.

OPPOSITE and COMPLEMENTARY COLORS


Opposite colors are diagonally opposite one another on the color wheel.
You can work out the opposite color to any primary color
by taking the other two primaries and mixing them together.
The result will be its opposite or ‘complementary’ color.

ANALOGOUS COLORS


Analogous colors sit next to one another on the color wheel.
These colors are in harmony with one another.

 

Sample of colour

                                  

COLOR THEORY

Color theory encompasses a multitude of definitions, concepts and design applications. All the information would fill several encyclopedias. As an introduction, here are a few basic concepts.

COLOR HARMONY

Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae.

In visual experiences, harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order, a balance in the visual experience. When something is not harmonious, it's either boring or chaotic. At one extreme is a visual experience that is so bland that the viewer is not engaged. The human brain will reject under-stimulating information. At the other extreme is a visual experience that is so overdone, so chaotic that the viewer can't stand to look at it. The human brain rejects what it can not organize, what it can not understand. The visual task requires that we present a logical structure. Color harmony delivers visual interest and a sense of order.

In summary, extreme unity leads to under-stimulation, extreme complexity leads to over-stimulation. Harmony is a dynamic equilibrium.

Some Formulas for Color Harmony

There are many theories for harmony. The following illustrations and descriptions present some basic formulas .

A color scheme based on analogous colors

Analogous colors are any three colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates.

A color scheme based on complementary colors

Complementary colors are any two colors which are directly opposite each other, such as red and green and red-purple and yellow-green. In the illustration above, there are several variations of yellow-green in the leaves and several variations of red-purple in the orchid. These opposing colors create maximum contrast and maximum stability.

A color scheme based on nature

Nature provides a perfect departure point for color harmony. In the illustration above, red yellow and green create a harmonious design, regardless of whether this combination fits into a technical formula for color harmony.

Color Context

How color behaves in relation to other colors and shapes is a complex area of color theory. Compare the contrast effects of different color backgrounds for the same red square.

Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.

Different readings of the same color

If your computer has sufficient color stability and gamma correction (link to Color Blind Computers) you will see that the small purple rectangle on the left appears to have a red-purple tinge when compared to the small purple rectangle on the right. They are both the same color as seen in the illustration below. This demonstrates how three colors can be perceived as four colors.

Observing the effects colors have on each other is the starting point for understanding the relativity of color. The relationship of values, saturations and the warmth or coolness of respective hues can cause noticeable differences in our perception of color.

Children respond well to bright colors, which is why primary colors are popular with them. Teenagers respond to more shocking colors, which explains their preference for fluorescent shades, deep reds, and the blackest blacks appeal to them. Adults prefer softer tones. The more educated and higher the income, the more delicate the color preference.